Remember when
‘Fearless’ came out all the way back in 2008 and suddenly everything made sense.
Taylor Swift – your soul sister – just understood you. Exploring the trials
associated with growing up and unrequited love, the strength in Taylor’s music
was that she was always so relatable. I have always been a huge fan of Taylor’s
music, there’s something so honest and sweet in her lyrics that just make you
feel all warm inside like a batch of chocolate chip cookies fresh out of the
oven. With the release of her new album ‘1989’ however, it seems the days of
the girl left on the bleachers, pining away for the boy next door are long gone.
Taylor has often
said that her albums are like her diaries, recording her experiences and
emotions over the past eight years, and while her new sound is distinctly
different from her previous work, this remains to be true. There is a clear
progression from her earliest album ‘Taylor Swift’ to ‘1989’, and I feel as if
her transition away from a solely country sound into the pop genre has been in
the works for a long time.
I won’t lie, when I
first heard ‘Shake It Off’ and ‘Out of the Woods’ I was skeptical of her new
sound. I’m not sure what it was exactly but I just couldn’t connect with the
tracks. Where were the ‘Romeo and Juliet’ metaphors? Where were the teardrops on her guitar? Or even just her guitar? After
hearing the deluxe album in its entirety however, my opinion has completely
changed. While her original albums will always hold a special place in my heart
as the defining albums of my early teenage years, Swift has managed to
translate the lyrical styling her fans know and love into something fresh that
reflects how she has evolved as an individual, and of course, her turbulent
relationships.
The songs
throughout the album are slightly contradictory as she explores finding contentment
within herself following a break up while simultaneously loving the “players”
- albeit in a song that's self parodical - and wishing an ex-boyfriend would come back. But there’s honesty behind them, and if
I try to draw out any analytical ability from the days gone by of year 12
literature, her lyrics seem to reflect a time in your late teens to early
twenties when you don’t necessarily know what you want but embracing life and staying true to yourself is ultimately what’s
most important. So throw yourself a
little dance party and enjoy her funky beats.
-
M
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